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Admission Test GRE-Verbal Exam Syllabus Topics:

SectionObjectives
Text Completion- Sentence completion strategies
  • 1. Multiple blank questions
    • 2. Single blank questions
      Sentence Equivalence- Vocabulary and contextual meaning
      • 1. Selecting two equivalent answer choices
        Reading Comprehension- Passage Analysis
        • 1. Detail and interpretation questions
          • 2. Main idea and inference questions

            Admission Test Section One : Verbal Sample Questions:

            1. Victorian poetess Christina Rossetti's potent sensual imagery compelled Edmond Gosse, perhaps the
            most influential literary critic in late Victorian England, to observe that she "does not shrink from strong
            delineation of the pleasures of life even when denouncing them." In the face of Rossetti's virtual
            canonization by critics at the end of the nineteenth century, however, Virginia Woolf ignores her apparent
            conservatism, instead seeing in her curiosity value and a model of artistic purity and integrity for women
            writers. In 1930, the centenary of Rossetti's birth,Woolf identified her as "one of Shakespeare's more
            recent sisters" whose life had been reclusively Victorian but whose achievement as an artist was enduring.
            Woolf remembers Rossetti for her four volumes of explosively original poems loaded with vivid images
            and dense emotional energy. "A Birthday," for instance, is no typical Victorian poem and is certainly unlike
            predictable works of the era's best known women poets. Rossetti's most famous poem, "Goblin Market,"
            bridges the space between simplistic fairy tale and complex adult allegory-at once Christian,
            psychological, and profeminist. Like many of Rossetti's works, it is extraordinarily original and unorthodox
            in form. Its subject matter is radical and therefore risky for a Victorian poetess because it implies
            castigation of an economic (and even marital) marketplace dominated by men, whose motives are, at best,
            suspect. Its Christian allusions are obvious but grounded in opulent images whose lushness borders on
            the erotic. From Rossetti's work emerge not only emotional force, artistic polish, frequently ironic
            playfulness, and intellectual vigor but also an intriguing, enigmatic quality. "Winter: My Secret," for
            example, combines these traits along with a very high (and un-Victorian) level of poetic selfconsciousness.
            "How does one reconcile the aesthetic sensuality of Rossetti's poetry with her repressed, ascetic
            lifestyle?" Woolf wondered. That Rossetti did indeed withhold a "secret" both from those intimate with her
            and from posterity is Lona Packer's thesis in her 1963 biography of Rossetti. Packer's claim that
            Rossetti's was a secret of the heart has since been disproved through the discovery of hundreds of letters
            by Rossetti, which reinforce the conventional image of her as pious, scrupulously abstinent, and
            semi-reclusive. Yet the passions expressed in her love poems do expose the "secret" at the heart of both
            Rossetti's life and art: a willingness to forego worldly pleasures in favor of an aestheticized Christian
            version of transcendent fulfillment in heaven. Her sonnet "The World," therefore, becomes pivotal in
            understanding Rossetti's literary project as a whole-her rhymes for children, fairy tale narratives, love
            poems, and devotional commentaries. The world, for Rossetti, is a fallen place. Her work is pervasively
            designed to force upon readers this inescapable Christian truth. The beauty of her poetry must be seen
            therefore as an artistic strategy, a means toward a moral end.
            The passage mentions all of the following as qualities that emerge from Rossetti's work EXCEPT for

            A) unorthodox form
            B) ironic playfulness
            C) lush imagery
            D) intellectual vigor
            E) stark realism


            2. The 35-millimeter (mm) format became the standard for movie production around 1913. The mid-1920s
            through the mid-1930s, however, saw a resurgence of wide-film (55-mm to 70-mm) formats. Development
            then slackened until the 1950s, when widescreen film-making came back in direct response to the erosion
            of box office receipts resulting from the rising popularity of television. This new era saw another flurry of
            specialized formats, including Cinema-Scope and, in 1956, Camera 65, which Panavision developed for
            MGM Studios and which was first used to film Raintree Country. Panavision soon contributed another key
            technical advance, spherical 65mm lenses, which eliminated the "fat faces" syndrome that had plagued
            CinemaScope films.
            Though many films were made in widescreen formats during this period, these formats floundered
            because of expense, unwieldy cameras, and slow film stocks and lenses. After the invention of a set of
            3 5-mm anamorphic lenses, which could be used to squeeze a widescreen image onto theatrical screens,
            film technology improved to the point where quality 70-mm prints could be enlarged from 35-mm
            negatives.
            It can be inferred from the passage that wide-film formats were

            A) more widely used during the 1920s than during the 1930s
            B) not used after 1956
            C) more widely used for some types of movies than for others
            D) not used during the 1940s
            E) in use before 1913


            3. The Galapagos Islands are in the Pacific Ocean, off the western coast of South America.
            They are a rocky, lonely spot, but they are also one of the most unusual places in the world. One reason is
            that they are the home of some of the last giant tortoises left on earth. Weighing hundreds of pounds,
            these tortoises, or land turtles, wander slowly around the rocks and sand of the islands. Strangely, each of
            these islands has its own particular kinds of tortoises. There are seven different kinds of tortoises on the
            eight islands, each kind being slightly different from the other. Hundreds of years ago, thousands of
            tortoises wandered around these islands. However, all that changed when people started landing there.
            When people first arrived in 1535, their ships had no refrigerators. This meant that fresh food was always
            a problem for the sailors on board.
            The giant tortoises provided a solution to this problem. Ships would anchor off the islands, and crews
            would row ashore and seize as many tortoises as they could. Once the animals were aboard the ship, the
            sailors would roll the tortoises onto their backs. The tortoises were completely helpless once on their
            backs, so they could only lie there until used for soups and stews. Almost 100,000 tortoises were carried
            off in this way. The tortoises faced other problems, too. Soon after the first ships, settlers arrived bringing
            pigs, goats, donkeys, dogs and cats. All of these animals ruined life for the tortoises.
            Donkey and goats ate all the plants that the tortoises usually fed on, while the pigs. Dogs and cats
            consumed thousands of baby tortoises each year. Within a few years, it was hard to find any tortoise
            eggs-or even any baby tortoises. By the early 1900s, people began to worry that the last of the tortoises
            would soon die out. No one, however, seemed to care enough to do anything about the problem. More
            and more tortoises disappeared, even though sailors no longer needed them for food. For another fifty
            years, this situation continued. Finally, in the 1950s, scientist decided that something must be done. The
            first part of their plan was to get rid of as many cats, dogs and other animals as they could.
            Next, they tried to make sure that more baby tortoises would be born. To do this, they started looking for
            wild tortoise eggs. They gathered the eggs and put them in safe containers. When the eggs hatched, the
            scientists raised the tortoises in special pens. Both the eggs and tortoises were numbered so that the
            scientists knew exactly which kinds of tortoises they had-and which island they came from. Once the
            tortoises were old enough and big enough to take care of themselves, the scientists took them back to
            their islands and set them loose. This slow, hard work continues today, and, thanks to it, the number of
            tortoises is now increasing every year.
            What happened soon after people brought animals to the islands?

            A) Tortoise eggs were kept in safe containers.
            B) The tortoises fought with the other animals.
            C) The tortoises continued to wander freely.
            D) The animals ate the tortoises' food and eggs.
            E) Scientists took away as many animals as they could.


            4. CHRONOLOGICAL : TIME

            A) coincidental:health
            B) abnormal:value
            C) virtual:truth
            D) marginal:knowledge
            E) ordinal:place


            5. SKI : SNOW

            A) gold: putt
            B) dance: step
            C) skate: ice
            D) ride: horse
            E) drive: car


            Solutions:

            Question # 1
            Answer: E
            Question # 2
            Answer: E
            Question # 3
            Answer: D
            Question # 4
            Answer: E
            Question # 5
            Answer: C

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